My eyebrows rose at the sight of the powdery substance
that covered the hardwood floor in my bedroom.
Small footprints marched back and forth through the substance. Knowing the culprit would not be hard to find,
I bent down on my hands and knees for a closer inspection. Although the powder was light, it wasn’t
white enough to be the baby powder I imprudently kept under the bathroom sink. Sitting back on my knees, I ran my finger
across the substance. Between my thumb
and forefinger, the residue felt soft and light. I sniffed it.
It smelled familiar, but I was still baffled. Looking at the substance again with my nose
to the floor, a glint under the bed caught my eye. I scooted
myself under the bed and reached for the object that reflected the light coming
in from the window. It was a silver
top. Next to it laid an open, empty
container. My intrigue turned to anger. I pulled myself out from under the bed
dragging with me the silver top and the empty container of my $50.00 powdered
make up.
I
yelled out for my son. A moment later,
when I heard the nimble steps of his running feet, my anger subsided. He appeared at the doorway and stopped. He hugged the molding around the door and his
big, brown eyes bore sheepishly into mine.
“Why
is mommy’s make up all over the floor in her room?” I asked.
He
let go of the molding once he heard the gentler tone in my voice. He shrugged, putting his brown, suntanned hands
out at his side. “I needed to see my
footprints.” I stared at him for a few seconds, biting my tongue to fetter my
laughter. In the awkwardness of my
silence, he added, “That’s all.” He
shrugged again.
One
vacuum, one mop, one bucket of Murphy’s Oil soap, and one
leave-mom’s-stuff-alone lecture later, the silence of naptime finally filled
the house. I climbed the attic stairs to
dig out one of my favorite classics, deciding to spend these few precious hours
to myself ensconced in a novel rather than moving mountains of laundry. I trekked over and around bins of baby clothes
and came to the middle of the attic that sacred ground that holds my bookshelf
of novels, poems, short stories and textbooks.
My
fingers skimmed over the worn bindings on the bookshelf. It had been years since I read Chopin’s The Awakening for the third time, and I
was ready to read it a fourth. I came to
the last book on the bottom shelf and it wasn’t there. I was sure I didn’t miss it. Standing up, my eyes scanned the books
again. It was not on the shelf. I turned to the boxes stacked and strewn
across the attic floor. Although the
majority of these boxes once enclosed large amounts of diapers and advertised
Pampers on the outside, they now contained the relics of my professional and
educational life.
I decided to dig through my relics. I started by lugging The Complete Works of Shakespeare off the top of the box closest to
me, and I came across notebooks of college lecture notes. The notebooks were stuffed with old exams and
papers I had written. I pulled one out
entitled “Mind Games: The Power of Suggestion in Othello.” I smiled, remembering
the paper and how much I enjoyed picking apart the villain, Iago, and comparing
him to the parrot with the same name in the Disney film Aladdin. I gingerly pushed
the paper back into the notebook and placed it back in the box. Confident that The Awakening was not in there, I pushed the box aside and moved to
the next one.
I
pulled the books out of the box one at time, and set them beside me. I was determined now to find the one I was looking
for. When the box was empty, I paused
and stared at the stacks of literature books piled neatly on the floor. They stared back and each one begged to be
opened and examined. “Look, look inside
me,” they yelled. “See how the
descriptive verbs can create symbolism and imagery and build on a theme!”
I stood up to release myself
from my psychotic literary stupor and sneezed from the dust I had kicked
up. On the downward side of the sneeze I
saw the last unit I taught before I went out on maternity leave. It was bound in a three-ring binder on the
floor, not in a box. On the side was
written Of Mice and Men. I knew the novel itself was tucked in the
inside pocket of the binder where I left it.
I knew the last lesson plan of
the unit was not bound in the rings but tucked behind the novel in the
pocket. I knew scrawled in purple pen
across the front page of that last lesson plan was the name Jessica because I
wanted to remember the only student I had ever had who openly shed tears in
class over a novel.
The kindled desire to
once again immerse myself into the facets of the written word hung before me
like a crystal chandelier that pulls at the eye upon entering a two-story
foyer. The search for my favorite
classic became a need. Frantically, I dug
through another box, tossing the contents onto the attic floor until the box was
empty. I didn’t waste time with the next
one. I dumped it out on the floor, then the one underneath it and the one
behind it. Panting and sweating, I sat down
in the middle of the sea of papers and notebooks, textbooks and novels. Then, I saw one box still unturned. I grabbed the side and it began to tip. There on top sat The Awakening. I snatched the sliding book off the top and
let the box turn over, dumping its contents in with the rest.
The
front cover was bent and ripped at the binding.
The pages curled from the humidity that roasted the attic. Some pages were dog eared at the top and
bottom. As I flipped through the book,
passages underlined with purple pen and comments in the margins whispered to
me. On the last page, sentences were underlined
with purple lines and surrounded by shouts of exclamation points. I read them aloud, “She thought of Leonce and
the children. They were a part of her
life. But they need not thought that they could possess her, body and
soul.” And then underlined further down
on the page, “Good-by –because, I love you.”
Rereading
the words, I mused over my first reaction to this sentence. Edna Pontellier was a hero. She transcended and defied the laws of a male
dominated world. I loved her character
when I was single and at the end of my college career. I was ready to embrace
her strength. Reading those words again, though, I
questioned whether Kate Chopin’s heroine, Edna Pontellier, had any strength at
all. Is it strength that leads a woman
to say goodbye, or is it strength that leads a woman to stay? When she marries and has children, doesn’t she
ask to be possessed by the family for whom she loves and cares?
In the midst of my thoughts, I noticed I was surrounded
by remnants of a life I once possessed on my own, and I recognized a lost piece
of myself. I wasn’t sure where or when I
had lost it. Did I misplace it, or was it taken and now in the possession of
someone else? A million emotions circled
through me and I didn’t know which one to pick.
Was I angry or just melancholy? Amused
or content? Regretful?
Hearing heavy footsteps
on the stairs, I turned around to the attic steps. I saw my husband clad in dirt and work boots
surveying the current state of the attic floor.
“Babe,
what are you doing?” His eyebrows peaked in his confusion.
I
stared up at him, unsure how to answer. A silence lingered between our eyes
until my lips parted in a smile and I told him,
“I needed to see my footprints.”
Yes! She's back! There is the writer I know! My eyes are welling up with tears...just because I love you. And I'm thankful that you're sharing your heart again, through words. You do it so beautifully, as though you are leading my footprints next to yours. I feel like I went with you. At least my heart did.
ReplyDeleteP.S. I want The Awakening when you're done with the fourth read. :)
I pulled it out about a month ago to pass it on to you and I forgot to give it to you! I also have one I pulled out for Emma.
ReplyDeleteThanks for your words of encouragement. I don't have to tell you they mean a lot:)